![]() Land art, like Conceptual art, was about more than only the artwork’s aesthetic and visual enjoyment.Īlmost all Earthworks emphasized refusal of economic status and conventional exhibition spaces, instead emphasizing an ephemeral nature. Land art, for instance, shared certain traits with Minimalism, such as a preoccupation with how items filled their spaces, human engagement with artworks, and most importantly, form simplicity.Įven though the implementation of a Minimalist visual style was frequently crucial to Earthwork art, the earth artists were traditionally hands-on with the documenting and method of production, on certain occasions including a performance art component these attributes associated Earthwork artists more with post-Minimalist inclinations such as performance and installation art.Ī temporary exhibition of the work of Richard Long at The Hepworth Wakefield in 2012 Poliphilo, CC0, via Wikimedia CommonsĮarthworks, which were mostly created outside and were built of natural materials, were also vulnerable to deterioration and degradation through time, which was in contrast to Minimalism’s more industrialized and urban look, rendering it one of the most distinctive aspects of the Earth art movement. The period of the late 1960s and early 1970s was one of the most exploratory eras in Western art history, with multiple parallel trends and artists producing in more than one manner, which made it difficult to clearly assign aesthetic tags to artworks from the period. Earthwork artists were motivated by prehistoric works such as Stonehenge and left their creations exposed to the weather.īecause of the sculptures’ ephemeral nature and ultimate decomposition, they were pushed outside of the art establishment, where art objects were normally put on a pedestal and kept in restricted conditions.Įarth Art’s Continuation of Conceptual and Minimalist Ideas The widespread commercialization of American artwork in the late 1960s impacted concepts and pieces that were, to varying degrees, alienated from the established art market.Įarth artists preferred elements that could be taken straight from the natural environment, such as water, gravel, pebbles, and dirt. The Earth art movement evolved from various influences such as Conceptual and Minimal art, and the early stages of environmentalism. Earth artists created earth art in exhibitions as well, hauling in materials from the environment and incorporating them into their artworks. 5.2 What Is the Earthworks Definition in Art?Įarthwork art was typically documented utilizing photos and maps that the earth artists were able to display in an exhibition.4.9 Pebbles, Broken and Scraped White with Another Stone (1985) by Andy Goldsworthy.4.7 The Lightning Field (1977) by Walter de Maria.4.4 Spiral Jetty (1970) by Robert Smithson.4.3 Double Negative (1970) by Michael Heizer.4.2 Annual Rings (1968) by Dennis Oppenheim. ![]() 4.1 A Line Made by Walking (1967) by Richard Long.3.2 Non-Invasive and Invasive Earth Art.2.1 Earth Art’s Continuation of Conceptual and Minimalist Ideas.
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